Arabic Calligraphy as a Form of Artistic Expression – Ahmed Moustafa and His Perspective on the Role and Meaning of Art
Abstract
Ahmed Moustafa, an internationally acclaimed Egyptian artist based in London, centers his artistic expression on Arabic calligraphy in its various forms. This article explores Moustafa’s perspective on his artistic mission and the profound significance he attributes to calligraphy. The analysis begins with the artist’s reflections on his work, emphasizing its spiritual depth and cultural heritage. Moustafa perceives the unity and harmony of the universe as expressed through geometry, which he regards as the divine language. This belief underpins his exploration of the proportional writing system (khaṭṭ mansūb), originally developed by the 10th-century calligrapher Ibn Muqla. Through years of meticulous study, Moustafa reconstructed this system, revealing its foundational geometric principles. For Moustafa, calligraphy transcends mere artistic expression; it becomes a spiritual practice that draws the practitioner closer to God. His artwork draws inspiration primarily from the Quran, where the Beauty and Goodness emanate not only from geometrically governed script but also from the divine Word itself, with writing serving as its tangible representation.
Author Biography
Arabist and Assistant Professor at the Institute of Cultural Studies and Journalism at the Ignatianum University in Kraków. Her research focuses on the classical period of Arab-Muslim culture and civilization. She explores a range of topics, including the legal dimensions of classical Islamic culture, the cultural landscape of the traditional Arab-Muslim city, and interpretations of Arab culture through the lens of literacy theory. Doctor Prochwicz-Studnicka is a member of the Polish Cultural Studies Association and the Bezkresy Kultury association. She is the author of numerous scholarly articles and literary translations from Arabic.
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